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The Fourth Kind

Milla Jovovich plays Dr. Abigail Tyler in alien abduction film “The Fourth Kind.”

"The Fourth Kind" juxtaposes "real" footage with "dramatization," which constantly reminds the audience that the people on screen are just actors.

The Details

The Fourth Kind
Two stars
Milla Jovovich, Will Patton, Elias Koteas.
Directed by Olatunde Osunsanmi.
Rated PG-13.
Beyond the Weekly
The Fourth Kind
Rotten Tomatoes: The Fourth Kind
IMDb: The Fourth Kind

Purporting to be based on actual case studies and recordings, the alien-abduction thriller The Fourth Kind is almost certainly a bunch of hooey. First-time writer-director Olatunde Osunsanmi goes out of his way to convince the audience that his movie is drawn from real life; star Milla Jovovich opens the movie by directly addressing the camera, explain that she’ll be portraying psychologist Dr. Abigail Tyler, who in 2000 uncovered supposed evidence of widespread alien abductions in Nome, Alaska, and was the victim of alien abduction herself. We’re then shown the “real” Dr. Tyler, being interviewed by Osunsanmi and narrating the story as we watch it unfold.

This device doesn’t make things seem more real; if anything, it puts an immediate distance between the audience and the characters, as we’re constantly being reminded that the narrative bits are merely “dramatization,” and Osunsanmi uses frequent split-screens to play that dramatization alongside the “real” footage, with copious expository voice-over. The dramatizations are predictable and about on the level of a subpar X-Files episode, with Jovovich’s Dr. Tyler butting heads with both Angry Local Sheriff (Patton) and Skeptical But Supportive Colleague (Koteas) over the true nature of what’s happening.

The other Dr. Tyler appears no less fictional, with a long, gaunt, pale face and wide eyes that make her look like an alien herself. Were this movie actually what it says it is, it’d be a reprehensible piece of exploitation; instead it’s just another lame thriller with a few cheap scares.


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  • Get ready for complex emotions depicted in regrettably simplistic ways.

  • The hypothetical film described in this documentary probably would have been a disaster, but it sure is fun to hear about it.

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