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The Playground
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August 19, 2009 · 12:52 AM
Professional dominatrix says Vegas doesn’t live up to Sin City nickname
Rowynn Eire, a professional dominatrix based in Vegas, has made it her mission to educate the local community about the BDSM lifestyle.
If Dr. Drew Pinsky were an Irish woman with a slight accent and expertise rooted in bondage culture and cathartic play, he’d be Rowynn Eire, the woman behind the educational show “Ask A Mistress” playing August 19 at Onyx Theatre.
Since moving to Las Vegas last March, Eire, a professional dominatrix, has been working to educate what she describes as a “close-minded” local population in a city that hardly lives up to its Sin City moniker.
“I’ve done BDSM all over the place,” says Eire, “but this is the first city I’ve been to that really advertises itself as Sin City and it is so sin light.”
Calendar
- Ask a Mistress
- August 19
- 7 p.m., $10
- Onyx Theatre, 732-7225
- Beyond the Weekly
- Onyx Theatre
The way Mistress Rowynn, as she calls herself, sees it, Vegas is just a bit naughty. The real sin, her bread and butter, is found more readily in places like L.A. and Chicago.
“There’s a lot of generic sin here – like, haha, sequins and tits – which is great. It’s cute and everything; it makes a great show on the strip. But the scene here is really bad, very close-minded.”
With 10 years as a professional dominant under her belt, so to speak, Eire has made it her personal mission to help Las Vegas take on its more sinful inclinations. Most of the time, that has nothing to do with the paddles, ropes and whips that are the tools of her trade. Eire has found she’s the most useful working just like Dr. Drew – on the couch, taking questions.
“I started a show on the Internet,” Eire explains of her recent foray into YouTube. “We’ve got 10 episodes out now. It’s called, ‘Ask A Mistress.’ It’s just a very, very boring, straight-forward educational show.”
Boring, that is, except for her subject matter and the people who send her inquiries via email every single day. They come from experienced practitioners of bondage with 25 years in the scene and from newbies looking for an authoritative voice to tell them that they’re normal. All kinds of people write to the local dominant.
“There’s a lot of young people who are 18, 19, 20 [years old] just getting out on their own who are like, ‘Is this normal? How do I tell my girlfriend?’ I get a lot of people who have certain fetishes, but they’ve never really asked about the safety for those fetishes, like bondage or flogging or whipping. They just don’t know. But I know, so now all I do is answer questions.”
Over the phone, Eire isn’t exactly what you’d expect from someone who makes a living using what could be considered weapons in the wrong hands. She has an easy sense of humor and a ready laugh that returns often as she jokes about her entry into the BDSM community (as a precocious teenager at 16 years old) and her life outside of her role as a dominant (“I actually do own sweatpants just like everybody else.”).
“This is not all about spanking and leather and beatings and kinkiness. …They’re a way to get from point A to point B. They’re not the entire journey,” she explains. Citing the misconceptions associated with her chosen profession – that dominants hate men or are prostitutes – Eire sounds like a teacher.
It’s time, then, for Vegas to head to class.
Enter “Ask A Mistress” live. Debuting at the Onyx, the show features Eire at her most professorial, but rather than fielding questions from curious people around the country, she will be answering to her audience. The evening will include a Q&A session and then will segue into demonstrations by Eire and an assistant. She plans to showcase hot wax treatments, flogging, bondage and, if there’s extra time, a single tail whip.
“It’s very dangerous if you don’t know what to do with it,” Eire says seriously. “I hear about injuries all the time. I‘ve been playing with single tails for 10 years. I mean, I could turn a light switch on and off with one.”
Eire’s skills with a single tail, however, have less to do with her life taking paid sessions as a professional dominant and more to do with the odd jobs she held before going full time. A former graphic designer, janitor and security guard at the Reno Events Center, Eire’s stint as a professional sword fighter is what helped her get handy with the whip.
“The accuracy in fencing was really, really key. That’s actually why I’m so good with a single tail today. I don’t whip a single tail; I fence it.”
Today, however, Eire is entirely dedicated to her career as a dominant. She views herself as sort of alternative therapist, someone who helps her clients achieve a “cathartic release” through the careful application of various techniques.
“For some people, therapy and chemicals are what they need,” she acknowledges. “I’m not a doctor and I won’t pretend that I’m qualified to tell people what they need, but for the people who happen to contact me, I’m what they do instead of therapy. And for most of them it seems to work.”
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Rowynn IS attractive and articulate, unfortunately her show at the Onxy was mostly a disaster. Badly blocked, completely unresponsive torture dolls (that's why real BDSM people LIKE it, duh). Who ever heard of using hot wax ONLY on a person's back? Note: you can't SEE wax from the audience, so if the demo person doesn't react, what's the point? Worst of all was her entourage of leering frat-boys who are not even into the scene. Their comments would have quickly gotten them a warning from a DM at a play party, then ejected when they refused to stop. Rowynn needs to actually get into the scene here, rather than just trash it and bring her unwanted spankwagon entourage with her. I suggest shows at the Power Exchange and the Erotic Heritage Museum would be good ways to meet real scene people here. One can't really compare this to the shows Midori has done here; it would be like comparing the NBA to your local rec league, just different games entirely.
Posted by: lvkinkyguy on 8/21/09 at 6:51 p.m. (Suggest removal)
Apologies for the misunderstanding. I have met many people here in the Las Vegas scene. It is not the scene itself that makes the Las Vegas BDSM scene rubbish, but rather the way that the conservative city receives it. It seems every time the members of this community make some head way, the local government shuts it down. That is the unfortunate state of things on which I commented. I will be clearer next time.
As far as the unresponsive demo dolls, that was a last minute change in the line up. My original demo doll had a personal emergency to attend to, and those two lovely volunteers were what I had to work with. They were cooperative and understanding, but relatively inexperienced, so I was not going to push them too hard. The last minute change was also the reason for the bad blocking. It threw off the whole production, but most of the audience didn't seem to mind.
And yes, a Dominant would stop and correct and later deject the "frat boys" as you called them, at a play party. But this was not a play party. This was an event at a local theater. I would not expect every one in attendance to be aware of D/s etiquette. The whole point of the project is to make BDSM and fetish more available and understandable to the public, not isolate us further by rejecting people for breaching codes of conduct that they had no way to be aware of in the first place.
Power exchange is a fantastic place, as is the Erotic heritage museum. I recommend those places as well. I also agree that what Midori has done for our subculture is invaluable, and I would not attempt to compare the first live taping of "Ask A Mistress" to one of her shows. Your sports metaphor is in fact accurate given that Midori tours and is booked all over the place months in advance, whereas I have this little project of mine at the Onyx.
It was opening night of an experimental project, which very nearly everyone seemed to enjoy, and that is the best we could have hoped for.
I would also like to point out that your criticisms on the show were of my audience, my blocking and my demo dolls, but not of the information I provided or of my technique. The only demonstration which you took specific issue with was the hot wax demo. I only applied the wax to her back because that was what we could fit into the time allotted.
Much to your chagrin I am sure, the show was well received and enough calls and emails were placed to the theater that we have been asked to put the show on monthly. The next one will be on September 23rd. I welcome the WHOLE public to this show, not just those involved in the scene. This show is for everyone, the experienced and curious alike.
Posted by: Rowynn on 8/21/09 at 11:57 p.m. (Suggest removal)
Perhaps I was a little too harsh in my original review. I did comment to an Onyx employee that I appreciated your show, as I and my date were leaving EARLY. Along with the two folks sitting in front of us, who also couldn't abide the disrespectful attitude shown to the demo people and the volunteers by the peanut gallery frat boys. Let's do the arithmetic: 30 people there, 10 of whom were employees, camera people, personal friends of yours, entourage etc. So, 4 of 20 is 20% MINIMUM that were so turned off they left early (minimum because I didn't talk to everyone who left early). Not exactly a rousing success in a venue that seats 96.
You might consider that your aims and those of the Onyx overlap but don't exactly jibe perfectly: they made a profit, you certainly didn't. (If you consider that a donation to the community, then I'm all for that and applaud you for your altruism.)
I knew the situation with the demo people, since you told everyone as you started (10 minutes late).
I didn't mention it because I DO NOT CARE. When I go to a play and an actor drops his lines because he had to take his cat to the vet or to a concert and a singer forgets the lyrics to her second song because she got a parking ticket that day, I also DO NOT CARE. A professional, if asked, says "I screwed up and I'll do my best to see that it doesn't happen again". You did a poor job of "policing" the house (among other things) and that is nobody's fault but your own (for a comparison, go to one of Mateo's local rope workshops (just as public as your show) as that is a much fairer comparison than someone like Midori (isn't "Dr. Google" a wonderful thing?) who has done hundreds of these public (admission is charged but they're not by invitation only like a play party) shows). Smart people (I've no reason to think you're not) learn from their mistakes. You can make a positive contribution to the local community but if you cater to the lowest common denominator (that's not the same things as trying to reach a wide audience, as I think should be obvious) then pretty soon that will be your ENTIRE audience. Oh, try advertising on the two local bdsm yahoo groups and one fetlife group I happen to know of (I'm probably missing some). Finally, if you drop the call for volunteers to take spankings, whippings etc (you have no idea of their level of experience, after all) you'll decrease the potential for hooliganism markedly. And if you respond to this, then I probably will also. Consider that contrary to the cliche, not all publicity is actually good publicity.
Posted by: lvkinkyguy on 8/23/09 at 3:31 a.m. (Suggest removal)
Your math is so skewed it deserves a punch line. I knew exactly 5 people in that audience and two of them were camera people. 47 people attended the event (not including staff and camera people). And if out of those 47 people 4 people left, that is just fine with me. I did not put this show on to make EVERYONE happy. I knew that some people, particularly purists would likely be confused if not out right displeased, and that is fine, every one has their own preferences.
Your biggest criticism still lies with my audience and how I did or did or did not handle them. You stated above that I did a poor job of "policing" the house. That implies that they needed policing at all. The bottom line is that most people there had a good time and learned a lot.
It seems that you have applied your personal expectations for what a BDSM event should be and how one should be conducted to my show. I submit that these expectations are part of what has isolated the community so much, and I never had a good time with those codes of conduct any how. I had enough of such things in the London scene as well as the Chicago scene. It works just fine for many many people but is simply too stiff for my tastes, and I am not about to pretend to be something I'm not.
It is clear that you didn't enjoy the show, that you were disappointed and have many issues with how I do things. That's fine. While this argument has been interested and stimulating, I think it has run it has run its course. I am not going to convince you to see things my way and you are not going to convince me to see things your way.
I thank you for attending the event and investing enough time and thought to write these well worded comments. The next show is on September 23rd, and I plan on having just as much fun, both on stage and with the audience. My best to you and the next event you attend,
Rowynn
Posted by: Rowynn on 8/23/09 at 3:59 p.m. (Suggest removal)
Hey you two, I'll happily pay for a room for the two of you as long as I can participate. I promise not to critique.
While I'm here, are there any adult get-to-gethers tonight - anywhere is this fabulous city?
I'll bring along a very naughty and nasty 55 year old red-headed sub.
Posted by: Verbal_Ds_Master on 8/29/09 at 2:21 p.m. (Suggest removal)
Looking forward to the second demo by Mistress Rowynn this evening 9/23 at 7:00 pm.
I attended the first one, and thoroughly enjoyed it!
Fast-paced, informative, and well presented.
Mistress Rowynn is hot, and Natalie's ass is amazing!
Looking forward to more of the same this evening.
Posted by: mauispanker on 9/23/09 at 10:53 a.m. (Suggest removal)
Discussion:
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