Recent Stories (view all stories)

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Someone to Watch: Martha Banks
Wednesday, June 9, 2010
This past spring in New York, soprano and UNLV doctoral candidate Martha Banks took top honors at the Classical Singer magazine competition.

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Dancer from the dance
Wednesday, April 14, 2010
A Choreographers’ Showcase blends artists from the various Cirque du Soleil productions and Nevada Ballet Theatre in a collaboration that reveals the depth of Las Vegas’s choreographic and dance talent.

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CSN Fall Dance Concert
Wednesday, Dec. 9, 2009
This performance could have gone seriously wrong.

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Three questions with pianist Joel Fan
Tuesday, Nov. 17, 2009
The billboard top-10 classical artist will accompany the Las Vegas Philharmonic for Gershwin’s “Piano Concerto in F.”

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Ballet season-opener leaves room for improvement
Wednesday, Oct. 21, 2009
It’s always exciting to attend the first performance of a new ballet season—especially one that showcases the efforts of a new artistic director. If only the results had equaled the anticipation.

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Las Vegas Philharmonic Pops Series’ A Night at the Movies
Wednesday, Sept. 30, 2009
Film meets Philarmonic at the Pops Series' A Night at the Movies.

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The future of local dance
Thursday, Aug. 6, 2009
If you are neither friend nor relative of a student dancer, why should you spend the money on a ticket to see them? Here's why...

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Praise the Lord
A technical appraisal of Michael Flatley’s famous production
Thursday, July 2, 2009
Michael Flatley’s Lord of the Dance is a welcome change from the latest Cirque shows' overstaged, under-choreographed spectacles. Loosely held together by its Irish folklore-based, good-versus-evil plot, the show revolves around Irish step dancing and its modern variations.

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Celebrating Roth
Thursday, June 18, 2009
Thirty years after Kelly Roth & Dancers’ New York debut, the company will present a retrospective of dances and multimedia projects created by its choreographer and director, Kelly Roth.

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Two of a kind
One-act operas sing most atypical tales
Thursday, March 19, 2009
The paired works on this weekend’s UNLV Opera Theatre bill abandon the upper classes and the mythical characters that form the basis for most grand opera, instead focusing on the plight of ordinary people. How refreshing.

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